After the novel, and subsequently cinema privileged narrative as the key form of cultural expression of the modern age, the computer age introduces its correlate – database.
Lev Manovich, in The Language of New Media (2001)
Electronic literature can shapeshift randomly by resorting to a database of images, sounds or words. The present works were “subjected to the knife of the cut-up”. Some of them could be described as a “generated text cascading down the screen”. In this strand, you will have the opportunity to read “computer-generated combinatorial” stories as if you were conducting an “experiment in electronic narrative”. Furthermore, you will be invited to “uncover poems” that “promote the generative potential of an algorithm”.
– Self Portrait(s) [as Other(s)] (2003), Talan Memmott – In this piece, both painting and textual biography are subjected to the knife of the cut-up — a particularly suitable set of incisions given that the textual cut-up technique was first used by painter Brion Gysin. Memmott’s juxtaposition reveals some of the different qualities of text … Continue reading Self Portrait(s) [as Other(s)]
– Storyland (2004), Nanette Wylde – The computer-generated combinatorial story is one of the oldest forms of writing. Storyland, with its simple circus frame, plays with this tradition by performing recombination of the sort seen in cut-up and in Oulipian work. The system repeatedly plots amusingly repetitive stories, inviting the reader to consider, to read … Continue reading STORYLAND
– Façade (2005-2012), Michael Mateas and Andrew Stern – Façade is an artificial intelligence-based art/research experiment in electronic narrative – an attempt to move beyond traditional branching or hyper-linked narrative to create a fully-realized, one-act interactive drama. Integrating an interdisciplinary set of artistic practices and artificial intelligence technologies, we have completed a five-year collaboration to … Continue reading Façade
– Cyberliterature (“Theory of the sitting man”) (1977-1993), Pedro Barbosa – Cyberliterature (1977-1993)’ includes six computer-generated poems, in Portuguese and English, which were originally programmed by Pedro Barbosa in 1976 using Fortran and Basic. This new version of Barbosa’s works includes, besides the generation of text, the source code of the poems, as well as … Continue reading Cyberliterature (Theory of the sitting man)
– The Deletionist (2013), Amaranth Borsuk, Jesper Juul and Nick Montfort – The Deletionist is a concise system for automatically producing an erasure poem from any Web page. It systematically removes text to uncover poems, discovering a network of poems called “the Worl” within the World Wide Web. in ELMCIP About the Authors: Nick Montfort develops … Continue reading The Deletionist
– Looppool (1998), Bas Boettcher – First produced in 1998, Bas Böttcher’s Looppool marks a specific generational moment in the history of online poetry and netart. Simple yet delightful, its palindrome title playfully describes the Sisyphean loop of wandering red billiard balls through a textual maze composed of scattered objects, thoughts, and actions. The reader can … Continue reading Looppool
– Stochastische Texte (2010), Johannes Auer – At this stage we shall report on a program which the author recently executed on the electronic mainframe ZUSE Z 22 at the T.H. Stuttgart Computer Center. The machine was used to generate stochastic texts i.e. sentences where the words are determined randomly. The Z 22 is especially … Continue reading Stochastische Texte